||| coming next: Subensemble (Bertram Dhellemmes/Andreas Eichhorn/Moritz Nolden) in Rhiz , Vienna | 7 December 2018 |||





ラベル dance and music theatre の投稿を表示しています。 すべての投稿を表示
ラベル dance and music theatre の投稿を表示しています。 すべての投稿を表示

2009年4月27日月曜日

Full Metal Beckett in Amsterdam


Full Metal Beckett

Next July, Bertram Dhellemmes starts a new collaboration with Dutch dancer and choreographer Frank van de Ven and Australian actor and director Peter Snow. Together they intend to rejuvenate some late Samuel Beckett plays, with guitars and expressive dance...

More about this project later...

2006年6月20日火曜日

L'Eve Future, work in progress presentation, Amsterdam > 10 july 2006



Eve Future

A dance and music theatre alternative adaptation
of the book by Auguste Villiers de l’Isle-Adam.


by
Bertram Dhellemmes
Margret Sara Gudjonsdottir
Esther Mugambi


L'Eve Future is a remarkable novel written in 1886 by the visionary and dandy author Auguste Villiers de l'Isle Adam. An improbable and genius meeting of decadent French romantic literature and early science-fiction, this book issued the modern myth of the artificial woman – at first the slave ofpatriarchal desire but eventually the freeing figure underlying cyberfeminism.

This 'andréide' – Hadaly – is built by an idealised Thomas Edison as a perfect lover for his friend Lord Ewald, replacing his beautiful yet shallow girlfriend. The book is awfully misogynist, not only in the idea of building a perfect woman – perfect because obedient –,but all the female characters being vile, mediocre, manipulating, only to be replaced by machines.

This adaptation of L'Eve Future for stage is based on adopting the point of view of the female protagonists of Villiers de l'Isle Adam's book to rewrite the alternative story of this creating a new woman, eventually on an agenda uncontrolled by men.



2005年10月1日土曜日

the wood for the trees / for a few seconds maybe you really were yourself / melkweg theater amsterdam 8/9/11/12 october





the wood for the trees

created and performed by Esther Mugambi
dramaturgy & scenography: Bertram Dhellemmes
advisor: Barbara Gene




for a few seconds maybe you really were yourself

created and performed by Adva Zakai
advisor: Marijke Hoogenboom
research collaborators: Katja Dreyer, David Hendrickx

a double-bill evening produced by Danswerkplaats Amsterdam
performed at the Melkweg Theater Lijnbaansgracht 234 Amsterdam
8/9/11/12 October 8.30 pm reservation 020 531 8181 www.melkweg.nl

one point of departure, two directions, two solos
camouflage, the moment of absorption and disappearance
to be visible, to be seen, found, unmasked
to hide, to be else
someone else
something
to impersonate, dissolve
to be saturated
to be disowned, de-skinned
to be concealed